Tuesday, January 26, 2010

The Ineffable

Ah, how easy it can be for us to throw out our contentment for the dream of something better, more romantic, for the idea that there is another person in the world who understands you in a way that no one in your current life possibly can.

We search for that ineffable connection. Whole conversations pass between you without a word spoken. The fantasy of this other happiness makes you whole, makes you better because they bring out the best in you. They inspire you, make you write poetry. When you have a fight, it's really just passion, and it always ends in a flurry of tearing clothes and long clingy nights. And sometimes we even mistakenly believe the dream is real, and the reality that we once found comforting becomes suffocating.

But, like the character in Bilgere's poem, who is smart enough to see the fantasy through to its likely conclusion, all of these dreams are just illusions. Eventually everyone smiles with broccoli in their teeth, hams up a cold, gets a wart or bad gas or smells like onions. Even us.



The Ineffable
by George Bilgere

I'm sitting here reading the paper,
feeling warm and satisfied, basically content
with my life and all I have achieved.
Then I go up for a refill and suddenly realize
how much happier I could be with the barista.
Late thirties, hennaed hair, an ahnk
or something tattooed on her ankle,
a little silver ring in her nostril.
There's some mystery surrounding why she's here,
pouring coffee and toasting bagels at her age.
But there's a lot of torsion when she walks,
which is interesting. I can sense right away
how it would all work out between us.

We'd get a loft in the artsy part of town,
and I can see how we'd look shopping together
at our favorite organic market
on a snowy winter Saturday,
snowflakes in our hair,
our arms full of leeks and shiitake mushrooms.
We would do tai chi in the park.
She'd be one of the few people
who actually "gets" my poetry
which I'd read to her in bed.
And I can see us making love, by candlelight,
Struggling to find words for the ineffable.
We never dreamed it could be like this.

And it would all be great, for many months,
until one day, unable to help myself,
I'd say something about that nostril ring.
Like, do you really need to wear that tonight
at Sarah and Mike's house, Sarah and Mike being
pediatricians who intimidate me slightly
with their patrician cool, and serious money.
And she would give me a look,
a certain lifting of the eyebrows
I can see she's capable of, and right there
that would be the end of the ineffable.

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Sunday, November 4, 2007

Little Miss Electra

This is the first poem I ever had published in respected journal. Kind of clunky in some parts now that I look back on it, but I think it's still a worthwhile read.

Little Miss Electra
by Katie Kidder

I like old guys, because they are gray where I am dyed.
Old men amusing me with motown Otis after hours
supposing I don't know that with the lights down and our faces numb from a cheap shiraz,
I look like that little Miss Rah-Rah they never got to palm
in the green glow of their daddies' dashboards.

I like old guys, because they have dyed where I will gray.
Old men with thighs that forgot to age, bellies that remembered,
and hindsight like the long impregnable stare of a fighter pilot.
They have seen wars, read books about wars,
waged little private wars of their own
back when I was still a part of my father's fight.

I like old guys because they will lose the gray before I dye.
Old men with crows' feet around the eyes and tobacco in their sighs
they are not the dad I knew when I was five.
Not that one with the farmer's tan and the cocaine fog,
and not the one when I was twenty-three, too drunk to know the difference
between his girlfriend's name and mine.

I like old guys because they do not care about the gray.
Old men as flawless as my father was when I was twelve and he was sober,
when we discussed our dreams over stewed meat and moon pies.
What would Jung say? What would Freud think?
Perfect, beautiful old men who know who I'm looking for,
but still, they let me look.

Originally published at the Exquisite Corpse

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